ITA
ULTRASTUDIO è lieta di presentare il suo primo progetto 2018 “No Where – Now Here”, group show sviluppata attraverso la forma del video – arte e testo poetico.
Vitaly Bezpalov, Antoine Donzeaud, Hayden Dunham, Josh Evan, Paul Pascal, Deirdre Sargent, Emir Esh Šehanović sono stati invitati ad approfondire il tema del CREEPY PASTA come nuova frontiera di racconto sperimentale in bilico tra cronaca disturbante e leggenda metropolitana.
Il lavoro si muove su due ambienti girati in una camera di Motel a Los Angeles e nel deserto di Las Vegas dove le opere insistono nella loro ubiquità tra uno spazio claustrofobico che diventa gabbia del pensiero e un altro dilatato in cui gli orizzonti e le prospettive si perdono.
Il progetto si configura come primo esperimento del programma annuale NOWHERE: THE STATE OF UNREALITIES e sequel di ENDLESS BACK UP http://
ULTRASTUDIO annuncia la nascita della seconda sede a Los Angeles con l’intento di creare un ponte ideale tra Europa e Stati Uniti diventando terra di confine in cui la ricerca di artisti europei si fonde e dialoga con quella di artisti d’oltreoceano.
ULTRASTUDIO is pleased to present its first 2018 project “No Where – Now Here”, a group show developed through the form of art-video and poetic text.
Vitaly Bezpalov, Antoine Donzeaud, Hayden Dunham, Josh Evan, Paul Pascal, Deirdre Sargent and Emir Esh Šehanović were invited to deepen the theme of CREEPY PASTA as a new frontier of experimental story poised between disturbing news and urban legend.
The work moves on two places shot in a motel room in Los Angeles and in the Las Vegas desert where the works insist on their ubiquity between a claustrophobic space that becomes a cage of thought and another dilated in which horizons and perspectives are lost.
The project is configured as the first experiment of the annual program NOWHERE: THE STATE OF UNREALITIES and sequel of ENDLESS BACK UP http://
ULTRASTUDIO announces the birth of the second space in Los Angeles with the aim of creating an ideal bridge between Europe and the United States becoming a borderland where the search for European artists merges and dialogues with that of overseas artists.
Hayden Dunham / Vitaly Bezpalov / Paul Pascal
Emir Sehanovic
Jazafi, 2017
digital print on fabric, polyurethane foam.
Hayden Dunham
HE: on believing :SK, 2018
metal.
Antoine Donzeaud
Mix Butterfly Pelican de Feu, 2016
HD video, no sound 3’11’’ looped
Vitaly Bezpalov, Death Is Not Final (NN_14), 2018
insulating tape, lacquer, acrylic, mixed media
Vitaly Bezpalov, Human’s Pod (Always CC Pre-Seed) II, 2018 digital 3d
Deirdre Sargent
Tigers in Toyland, 2018
Paul Pascal
Baby Stack” , 2017
Cast rapid set cement, wire, cigarette packs, glitter nail polish, tissue paper
49.53 × 22.86 × 22.86 cm
Joshua Evan
Shielding Cloak #1, 2018
RFID blocking shielded fabric with grounding chord, polyester.
Lost Revelations
I travelled all night
Following a Coyote on the Highway
A Chinese head down in a corner laughed
Am I dreaming?
Silence.
It’s there! It’s there!
There is the Snake.
Writings and graffiti and strange drawings
But once again night falls
And I’m drinking a Diet Coke
And I’m no longer thirsty
Not hungry anymore.
But far more important
I made a complete tour in this land of none
and at the end
I saw another me
of a second younger
So I resumed running
another round
another me
one second less
and again
one second less
the other me tended to the et cetera
it was me
and I was the et cetera
and distance between us was created.
We both knew
unconsciously
not to be made for the present
We were destined for oblivion
We were destined to drift.